I finally finished watching Star Trek: DS9.
I always liked the show, but it was in a bad time slot for me and I never got around to watching the later seasons. Now, thanks to Netflix, that isn’t a problem. I can see why it’s such a popular show, with Trek fans of every flavor.
Even with Voyager fans! Which I’m told really exist!
I kid! I kid!
Anyhow, there are plenty of good episodes to rave about, one of my favorites being Sisko’s dream of being a pulp science fiction writer, but I also found tons of small moments that really hit home. These little things would let an episode punch above its weight class and caught me off guard. My favorite was when Sisko explains to Kasidy Yates why he doesn’t like going to the Las Vegas nightclub holosuite that everyone else loves so much. They have a brief but powerful conversation about race, history, and fiction, then went on with the rest of the plot.
That ability to tackle an important, timely social issue in a strong way, and not even make it the focus of the episode? That’s art.
Then came the finale. Quick warning, there will be some spoilers below.
The last several seasons revolve around the brutal war involving the Dominion and its allies against the Federation and its allies. The war drags on, lives are lost, ships destroyed, and ideals are compromised among the most noble members of the cast. Everything finally comes down to the Dominion’s last stand over Cardassia, which results in the slaughter of millions of Cardassian civilians in reprisal for the Cardassian military changing sides. It’s a long, emotionally tiring story and the audience can feel the toll it takes on the characters and when they finally do stand victorious, it’s a subdued celebration at best.
But there is a second story running underneath the main one, a war going on between the cosmic beings called the Prophets and the imprisoned Pah Wraiths, who are looked at as gods and demons by the Bajoran people. The chosen one of the Prophets is Captain Sisko, revealed to be the child of a Founder who had merged with a human host. The champion of the Pah Wraiths is Gul Dukat, a war criminal, megalomaniac, and one of the most wicked villains in sci-fi. Dukat further twists the already corrupt Kai Winn, high priestess of the Bajoran people, convincing her to help release the Pah Wraiths.
During the alliance’s final victory celebration Captain Sisko receives a vision and immediately runs to face Dukat and Winn, sacrificing his corporal body to defeat them and lock the Pah Wraiths away for all time.
At first, I was a little let down by this ending. It felt rushed because so much had happened behind the scenes or in short asides. But the more I think about it? The more I love it. The more I realize what a brilliant ending it is.
We have a grand clash of galactic empires, including the shape-shifting Founders who are looked upon as gods. We have drama writ large as planets burn and millions die. Lives are changed, societies are shattered, the history of two galactic quadrants will never be the same.
And yet, on the cosmic scale, it means very little. In the end, the war between the Prophets and the Pah Wraiths was a far more important conflict. Had the Pah Wraiths been victorious then the entire galaxy would have burned, regardless of which side had won the war on the prime material plane.
It was a war waged on another level of existence, fought by three individuals who could barely perceive the battlefield or comprehend the stakes. And in the end there is no one left alive who knows what happened. At least, not alive in the conventional sense.
Those are some serious Golden Age science fiction ideas. That ranks up there with the concepts in Doc Smith’s Lensman books.
Well done DS9. Well done indeed.